| José Limón |
Doris Humphrey |
Garth Fagan |
Murray Louis |
Ted Rotante |
| The Apostate (1959) |
Air for the G Strings |
Never No Lament |
Cleopatra |
Dust |
| Barren Sceptre (1960) |
Airs and Graces |
|
Figura |
|
| Blue Roses (1957) |
Brandenburg Concerto |
Louis Falco |
Landscapes |
Anna Sokolow |
| Carlota (1972) |
The Call and Breath of Fire |
Huescape |
|
Homage to Federico Garcia Lorca |
| Chaconne (1942) |
Corybantic |
|
Gary Master |
Magritte, Magritte |
| A Choreographic Offering (1964) |
Dance Overture |
Annabelle Gamson |
Concerto W.A.M. |
Poéms |
| Comedy (1968) |
Day on Earth |
Tanzlieder |
|
Rooms |
| Concert (1950) |
Fantasy and Fugue in C Minor |
|
Fred Mathews |
|
| Concerto Grosso (1945) |
Felipe el Loco |
Ian Horvath |
Solaris |
Sarah Stackhouse |
| Dances for Isadora (1971) |
Invention |
Laura’s Women |
|
Silver |
| The Demon (1963) |
Lament for Ignacio Sanchez Mejias |
No Dominion |
Carla Maxwell |
|
| Dialogues (1951) |
Night Spell |
|
Keeping Still, Montain |
Clay Taliaferro |
| Don Juan Fantasia (1953) |
Passacaglia and Fugue in C Minor |
Lucas Hoving |
Please Don’t Stone the Clowns |
Dancing Woman |
| The Emperor Jones (1956) |
Ritmo Jondo |
A Day in the Life… |
Sonata |
|
| The Exiles (1950) |
Ruins and Visions |
Has the Last Train Left Yet |
A Suite of Psalms |
|
| I, Odysseus (1962) |
The Shakers |
Icarus |
Etude |
|
| La Malinche (1949) |
The Story of Mankind |
Satiana |
|
|
| Legend (1968) |
Theatre Piece No.2 |
|
Donald McKayle |
|
| Mazurkas (1931) |
Two Ecstatic Themes |
Kurt Jooss |
Heatbeats |
|
| Missa Brevis (1958) |
Variations and Conclusion from “New Dance” |
The Green Table |
Sombra y Sol |
|
| The Moirai (1961) |
|
|
|
|
| The Moor’s Pavane (1949) |
Charles Weidman |
Pauline Koner |
Meredith Monk |
|
| My Son, My Enemy (1965) |
Flichers |
Cassandra |
Break |
|
| Ode to the Dance (1954) |
|
Voice int Wilderness |
|
|
| Orfeo (1972) |
Jean Cebron |
|
Daniel Nagrin |
|
| Psalm (1967) |
Poeme Dansé |
Jiri Kylian |
Indeterminate Figure |
|
The Queen’s Epicedium (1952)
|
Recueil |
Evening Songs |
Spanish Dance (1944) |
|
| Redes (1951) |
Solo |
La Cathedrale Engloutie |
Strange Hero |
|
| Scherzo (1955) |
|
|
|
|
| Serenata (1958) |
Lee Connor |
Phyllis Lamhut |
Alwin Nikolais |
|
| Sonata for Two Cellos (1961) |
Under it |
Cleave |
The Hollow Lady |
|
| Symphony for Strings (1955) |
|
Fantomes |
|
|
| Tenebrae (1959) |
Bill Cratty |
Sacred Conversations |
Carlos Orta |
|
| There is a Time (1956) |
The Kitchen Table |
|
El Eltimo Canto |
|
| Tonantzintla (1951) |
|
Ralph Lemon |
Retablos |
|
| The Traitor (1954) |
Ruth Currier |
Pale glass and blue, and then red |
Volver |
|
| The Unsung (1971) |
The Antagonists |
|
|
|
| The Visitation (1952) |
Idyl |
Susanne Linke |
Heinz Poll |
|
| The Winged (1966) |
Phantasmagoria |
Also Egmont, Bitte! |
Heart to Heart |
|
|
Quartet |
|
|
|
