José Limón | ||
The Apostate (1959) | The Emperor Jones (1956) | The Queen’s Epicedium (1952) |
Barren Sceptre (1960) | The Exiles (1950) | Redes (1951) |
Blue Roses (1957) | I, Odysseus (1962) | Scherzo (1955) |
Carlota (1972) | La Malinche (1949) | Serenata (1958) |
Chaconne (1942) | Legend (1968) | Sonata for Two Cellos (1961) |
A Choreographic Offering (1964) | Mazurkas (1958) | Symphony for Strings (1955) |
Comedy (1968) | Missa Brevis (1958) | Tenebrae (1959) |
Concert (1950) | The Moor’s Pavane (1949) | There is a Time (1956) |
Concerto Grosso (1945) | My Son, My Enemy (1965) | Tonantzintla (1951) |
Dances for Isadora (1971) | The Moirai (1961) | The Traitor (1954) |
The Demon (1963) | Ode to the Dance (1954) | The Unsung (1971) |
Dialogues (1951) | Orfeo (1972) | The Visitation (1952) |
Don Juan Fantasia (1953) | Psalm (1967) | The Winged (1966) |
Doris Humphrey | ||
Air for the G Strings | Fantasy and Fugue in C Minor | Ruins and Visions |
Airs and Graces | Felipe el Loco | The Shakers |
Brandenburg Concerto | Invention | The Story of Mankind |
The Call and Breath of Fire | Lament for Ignacio Sanchez Mejias | Theatre Piece No.2 |
Corybantic | Night Spell | Two Ecstatic Themes |
Dance Overture | Passacaglia and Fugue in C Minor | Variations and Conclusion from “New Dance” |
Day on Earth | Ritmo Jondo | |
Charles Weidman | ||
Flichers | ||
Adam Barruch | ||
Conjurations (2017) | ||
Jean Cebron | ||
Poeme Dansé | Recueil | Solo |
Colin Connor | ||
Corvidae | The Body Is a House Without Walls | |
Lee Connor | ||
Under it | ||
Bill Cratty | ||
The Kitchen Table | ||
Sean Curran | ||
Nocturnes for Ancestors (2014) | ||
Ruth Currier | ||
The Antagonists | Idyl | Phantasmagoria |
Quartet | ||
Garth Fagan | ||
Never No Lament | ||
Louis Falco | ||
Huescape | ||
Jonathan Frederickson | ||
Chrysalis (2010) | ||
Annabelle Gamson | ||
Tanzlieder | ||
Rosie Herrera | ||
Querida Herida (2017) | ||
Ian Horvath | ||
Laura’s Women | No Dominion | |
Lucas Hoving | ||
A Day in the Life… | Has the Last Train Left Yet | Icarus |
Satiana | ||
Kurt Jooss | ||
The Green Table | ||
Pauline Koner | ||
Cassandra | Voice int Wilderness | |
Jiri Kylian | ||
Evening Songs (1987) | La Cathedrale Engloutie | |
Phyllis Lamhut | ||
Cleave | Fantomes | Sacred Conversations |
Ralph Lemon | ||
Pale glass and blue, and then red (1996) | ||
Susanne Linke | ||
Also Egmont, Bitte! | Extreme Beauty | |
Murray Louis | ||
Cleopatra | Figura | Landscapes |
Lar Lubovitch | ||
Recordare (2006) | ||
Gary Masters | ||
Concerto W.A.M. (1988) | ||
Fred Mathews | ||
Solaris | ||
Carla Maxwell | ||
Keeping Still, Mountain (1988) | Please Don’t Stone the Clowns | Sonata |
A Suite of Psalms | Etude | |
Diane McIntyre | ||
She Who Carries the Sky (2014) | ||
Donald McKayle | ||
Heatbeats (1997) | Sombra y Sol (1991) | |
Meredith Monk | ||
Break (1962) | ||
Daniel Nagrin | ||
Indeterminate Figure | Spanish Dance (1944) | Strange Hero |
Alwin Nikolais | ||
The Hollow Lady (1991) | ||
Carlos Orta | ||
El Eltimo Canto | Retablos (1989) | Volver (1988) |
Rodrigo Perdeneiras | ||
Come With Me (2012) | ||
Heinz Poll | ||
Heart to Heart | ||
Ted Rotante | ||
Dust | ||
Anna Sokolow | ||
Homage to Federico Garcia Lorca | Magritte, Magritte | Poéms |
Rooms | ||
Sarah Stackhouse | ||
Silver | ||
Clay Taliaferro | ||
Dancing Woman | Into My Heart’s House (2008) | |
Yin Yue | ||
No Room For Wandering (2017) | ||
Kate Weare | ||
Nightlight |